Daft Punk once described 1997’s Homework as their attempt to prove you could make an album in your bedroom with next to nothing. It sounded, on the face of it, like club music, but it also captured the immediacy of two friends (Thomas Bangalter and Guy-Manuel de Homem-Christo) bouncing off the walls to whatever felt good to them. Which, in effect, is what Daft Punk was. The album’s title was conceived with purpose: Homework sounded like kids preparing for a bigger, more adult test, but also like work made—simply and lovingly—at home.